french hard techno king greg notill back in his favourite roll as king cannibal! teaming up with barbers & slugos he is ready to destroy some fresh meat. leaving it half dead after he crushes your skull with his devastating bass drums. no need to boil, greg loves his meat raw to the bone.

get ready for brazilian hard techno! while carnaval is full in progress, in the carnaval capitol of the world rio, somewhere deep hidden in the dark parts of the city you will hear the hard pounding beats coming at you through the walls and foundations. once you found where the sound is coming from you will be blasted away by the monsterous bass kicks brazilian percussion and rave noise from marcio m., malke, alex tb and barbers. this is techno and they are proud of it!

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

dbr uk are a luton collective who produce underground drum & bass made from the soul and have recently launched their label broken audio. we at ingredients have been a fan of their music for a while, and were lucky to snap up these two tracks. >dirty passive< has haunting strings, clean breaks & awesome bass pressure, reminiscent of commix, while >magnesium< is sluggish, smokey and hypnotic. ideal for late night listens and deeper than the ocean!
dj support from genotype, marcus intalex, doc scott, lee, blu mar ten and more.

b.h.f.v is the collaborative effort of arto mwambes cb funk and the live at robert johnson label manager oliver hafenbauer. originating from a cross-pollination of graffiti, train stations, red light districts and frankfurts club music roots, et 01 and et 06 are both all that those x-men and egyptian lovers ever wanted. two tracks, one sound. blueeyed electro-funk with sharp snares, jeep-boomin bass and haunting melody lines. retro fascists beware! this aint a historically correct or nerdy carbon copy, but a blast from the futures past. fresh as champagne morning dew. hip hop be bop.

prins thomas spreads proper, earthy dub house vibes in a good old bobby konders tradition with >lang tung ting<. a hard driving jacker with dry, punching drums and grumbling, low-frequency acidic sounds not modulated by an 808 synth but from warped cello and bassoon lines. an ode to the timeless magic of beats and bass. much less sparse >ny maskin< on the flip is a dizzying disco/ rock jam backed by african derived beats and a gyranting, buoyant guitar lick . prins thomas brilliantly proves himself a jack of many trades again

d1 has once again come up with the goods, and delivered two brilliant old skool-influenced dancefloor tracks. >flood of emotions< featuring renowned vocalist jenna g, showcases d1s trademark melodic sensibility, while maintaining the tough drums and purebass pressure that makes uk bass music so exciting and impactful. driven by a classic hardcore break, the track penetrates right through you while the uplifting melody, complimented by jennas vocals, washes over you beautifully.

hulk is a collaboration of claw & richie august, two creative minds that share a similar production style and enthusiasm for heavy bass driven music. since the inception, hulk has been catching the eyes and ears of artists such as the glitch mob, dieselboy, reid speed, reso, the gaslamp killer, high rankin, iwrestledabearonce and dj lord of public enemy, among others. after catching the ear of juan basshead who had to sign them!

the eighth edition of cocoon recordings 10inch series leads us to berlin, where martin müller and daniel stroeter are working under the alias youandme as djs, label managers and producers for labels such as rotary cocktail, 2020vision and compost for more than 15 years now. >raw” is the ultimate soundtrack for the very special acoustic comprehension both musicians have in setting an absolute imperative on the dancefloor by constantly rising noise levels, but without ever neglecting the funk. living in berlin for only a short time, 23-year-old ilario alicante from tuscany / italy has made his appearance by releasing records for cécille, break new soil or sci+tec over the last three years, especially >vacaciones en chile< was an essential part of the club summer 2008. >balance< purifies modern house music down to its essences, using a 2-minute break with a central organ theme to keep your synapses tightly clenched before a massive bass kick unlocks the tension. just a perfect acoustic devotement to the balance of the raw.

dutch producer van dongen arrives back on audiomatique - almost 5 years since his first outing - hate to say o.k in 2006 - we welcome back his tough, refined and urgent electronic stylings. vulcanic ass gets straight to the point with a gyrating, cyclic attitude that simply cannot be ignored. bouncing bass, sharp drums and an anthemic pitching synth theme provide a blissful yet party-assured climax! barcelona boys audiofly hand in a dynamic and inventive remix that fuses live drum loops with drier, more resolute moments than the original. carefully engineered and executed, its a modern incarnation of the the duos earlier tech-house sound.

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

the danish duo darkness falls is a new alternative rock duo right from the centre of the emerging copenhagen music scene, a collaboration between josephine philip (vocals, keyboards) and ina lindgreen (guitar, bass). their sound is rooted in rock tradition, with elements of post punk, distant beats, and chanting, textured productions wrapped up with a great passion for classic 60s twang guitar sounds. a beautiful mixture of charming pop and melancholy, this is feel good music for 2011 and beyond. produced by trentemøller these 4 tracks are a spellbinding taste of things to come. the combination of trentemøllers glistening production and the unique, heartfelt music of darkness falls is sure to uplift and inspire.

extremely welcome reissue of this super dope and super rare slamming early 80s boogie classic. coming out of chicago in 1983 on the tiny label full scope, this was the only release for both the label and the band but what a release!! heavily synth-laden, echoing cowbells, tight crisp percussion, superb bass - this is a fantastic example of 80s funk at its absolute best and deserves all the accolades it gets. get a copy while you can.

accompanying the debut lp remix ep number 2 straddling the realms of dubstep, house and disco from an ever emerging pool of old and new guard. remixes on the dub orientated ep with mark e, session victim and riley reinhold. duffsteps debut album >getting to sirius< is a heady potion laced with influences of dub and down tempo beats, winding through layers of melody and synths whilst vocals soften the blow providing a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you wont have to wait before a nice big bass-line knocks you down on your arse again

the third edition bunch of limited edition afro disco boogie edits on the guynamukat afro disco boogie edits label with a value for money 4 tracker. a side kicks off with an absolute stonker of with >ghana boogie baby<. trumpet, slap bass boogie african stylee with punchy brass and smatterings of catchy chorus. >butterfly funk< is straight out of the 1982 disco boogie period with the chunky bassline at the fore. sounding a little bit like chic with gorgeous chords, rhythm guitar and organ stabs. on the flip we travel back to africa for nigeria disco calling for lashings afro boogie with an irresistible shuffling african guitar and keys work out. b2. we ease into more afro boogie with >afro heat< for an infectious afro boogie workout with a pulsating disco bassline. essential music for your dancefloor!

minus yogis is the brainchild of the japanese motoyoshi donkey shimazaki, ex- tokyo policewoman, kimiko kawabe and englishman abroad, max essa.
>all tied up is propelled by a proper bass line, repetitive chord vamp and otherworldly percussion, minus yogis create a tracky groove before dropping a synth and strings combination. the remix comes courtesy of juju & jordash! the juju & jordash gospel mix of >all tied up< is the soundtrack to a very disorientating sermon at the church of deep house psychedelic drama. heavy, dubbed out music for heads.

coin operated continue their quest for domination of the bass frequencies and rave stabs at a relentless pace, this time with londons very own pirate soundsystem! fresh form their >wiley - rolex< remix as well as great releases for wide, mad decent, shiva etc. they give us their 1st solo vinyl e.p. - coin operated being, of course, the finest home for such mentalism...... across this slate you will find the roughest beats in the capital - with a nod and a cheeky wink to all manner of rave, dubstep, cockney knees-ups, the one and only kool keith and even a snippet or two of tigas recent killa release.... ltd 2011 repress

two previously unreleased jimpster remixes of seal available on this limited white label. the a side side is a raw, detroit tinged mid-tempo jam with seals amazing vocals making this one a solid party starter. flip over for weight of my mistakes which sees jimpster flip things into an epic modern soulful house track laden with real strings, warm rolling bass and tight afro drums. these are his first remixes outside of his freerange label since his mighty remix for josh wink last year.

shufunk and heavy hittahz team up with the drum orange crew to release this slice of heavy bass driven drum and bass. shufunk has been on it recently and this release shows you why. watch out for more from this label.

the trio of moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo), with a third album, this time enriched and expanded by guitar contributions from paul st hilaire (also known as tikiman), and double bass courtesy of marc muellbauer (via ecm). horizontal structures is palpably a more open, more expressive album than the previous studio recording, vertical ascent. there is more contrast, more light and shade. st hilaire and muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping. the coherence of the five-piece is remarkable, the boundary between acoustic and electronic undone.

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

strait out of bass camp, vicious audio begins its assault with a massive single by triage. two big tunes carved with the signature sound that has brought the group to the front lines of battle. drawing inspiration from their drum and bass roots, >comorbid< is a nice roller stabbing you with snares and punching you with bass. if you survive this, the evil flip side >play dead< will slap you around with some heavy, twisted, subsonic madness.

supported by: sebo k, laurent garnier, Âme, jimpster, hell, deetron, marc romboy, doc martin, robert dietz, catz n dogz, willie graff, martin landsky, ian pooley, d julz, adultnapper, dirt crew, lexx, jef k, trickski, andre hommen, iron curtis,.. essen-based band festland get the remix treatment by innervisions marcus worgull and mild pitch head honcho manuel tur. festlands music is based upon beats and sounds used in dj culture, but played with a drumset, bass and keyboards. lets call it krauthouse. they sing german lyrics written by a friend, the painter fabian weinecke. the bands latest album >welt verbrennt< received critical praise from the german press, making it into zeit magazines list of 2010s best albums.

top quality remastered reissue of ike strongs disco boogie classic >boogie land<. originally released back in 1981 on the tiny underground disco label willker, this dancefloor bomb is now hugely in-demand.
both sides are absolute killers - the a side features great vocals from ike strong over super funky phat bass and wah wah guitars but dont forget the flip side where the groove get stripped down to the bare instrumental funk with just the relentless driving female vocal >you cant help but dance when you hear it boogie land< - she couldnt be more right! must have.

number 5 in the best selling killer funk disco usa series with the cheekily titled >these boots were made for dancin< ep. the kfd all stars drop another funk & breaks driven unreleased discofired edit on the a side whilst on b side slap bass boogie is the order of the day from a mysterious stateside artist and a rare but so, so essential nigerian mid tempo hypnotic masterpiece.

new talent on no more hits, turbo jazz drops his first single.
a1 - go broadway: house feel on this edit, cool vocals and heavy use on the cowbell sounds. top track!
b1: boogie 2 the top - latin boogie disco, nice bass line with a new york harlem disco style. cool percussion.
b2: jungle struttin - raw afro beat style to this track, gorgeous horns. one for east london afro-heads!

and there’s more.. number six in million dollar disco’s latest release series, as you’ve probably come to expect, is more vintage dancefloor fodder from the reels (mac) of al kent.. “message to the people” started life as a classic, then went through the blender, coming out all wrong, but so right. stomping along on a killer clav groove, punctuated by horns and an evergreen vocal. ” feel the groove” is a heavy hitter, thumping drums and bass with a synth hook that grabs you and doesn’t let go. finally there’s “keep on doing” which is almost house music in it’s simple repetitive bass groove and gospel style vocal shots.. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more

supported by reboot, secret cnema, julian chaptal, shlomi aber, nick warren! nick daring, take note of the name, because the young italian is set for great things. after early releases on rawthentic and greelpound, its time for us to introduce him to a wider audience, with his debut release for kiara. as with many of todays young producers, nicks youth has been filled with music. the vast variety of which has helped in his own eclectic style, both behind the decks and in his own productions. teaming up with kiara was an obvious, evolutionary step, and today he presents his decomposition of the past ep. his three original tracks le mabadi, paint of desh and wyeth, all perfectly showcase nicks ability to create simple, hypnotic rhythms, wrapped in layers of raw funk. kiara favourite leix steps up to remix wyeth. harnessing the impetuous groove of the original, leix injects his own percussive nous and creates a beautifully warm rework. another producer whos never short of a healthy dose of hip swinging serum is dutchman, david lebeij. he gets to grips with paint on desh and presents a classic bass-driven house remix

eminor 29 again comes up with massive minimalist techno.
coeter one & dubit - granatapfel - bring together a german and an italian sound designer and you get an experimental mixture of drums and carefully quantized grooves. the minimalistic framework of >granatapfel< is teamed up by vocoded vocals and an unique break which leads majesically from confusion to musical order.
scalameriya - ridley - by the serbian techno-guru scalameriya has a fast and pushy bass-dominated rhythm, an almost factory-like precision and a compulsive eye on the floor.
granatapfel - re:axis s going down remix - the remix of portuguese duo re:axis is less stripped-down than the original. with its thrilling melody, re:axis manage to give the track an epic touch.

esgs iconic >dance< is available as a 7 inch single along with the foot stomping >tiny sticks<. featuring on the current xbox kinect advert, dance is the epitome of esgs beat building funk. a funky bass line and clappy drums ensure those feet keep moving. >tiny sticks<, similar in beat and get-moving-attitude, is from the same 1983 lp >come away with esg<.

incl. 3 brennan green remixes !!! supported by horse meat disco, cosmo vitelli, tim sweeney, space ranger, inflagranti, massimiliano pagliara, marcello giordani, bottin, discodromo, michael reinboth, luke solomon… danny was a drag king is back with an hot tune. chocolate black leather is ajello new single. driven by the one and the only hard tons vocals the track is an orgy of vintage synths, bouncy bass, a sure winner for the italo disco fans. brennan green needs no introduction, when he dust off his 303 and everything goes acid disco paradise... you really cant get any better.

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

the first new single from small world disco edits label in 2011 comes from the don of italy: ltj. dope.
a: you know - heavy on the bass with a light hihat pattern and mellow kick/snare creates the backing for delayed/reverberated vocals and synth stabs. a down beat boogie feel on this one and its infectious!
b: all the way - easygoing rhythms in this track create a great groove. the vocal is the principal theme giving lead to the bass line and percussive elements. laid back funk style!

following nfms superb debut 12 inch on nu directions in the spring, their sophomore release on the label offers something for everyone. mosus and hlzs collaborative project has born fruit since its inception at the turn of 2010 with releases on some of the scenes premier labels. sgn:ltd, 31 and v recordings are some of the imprints that have showcased their creations to date with many more in the pipeline. the >super earth ep< is a collection of the duos most creative work to date. a soundscape of musical textures, >panoramic views< and >screenplay< explore the drum & bass boundaries, while >moving pictures< and >medallion< are snappy bass-driven workouts for the dancefloor.
dj and radio support from dj krust, commix, lynx, logistics, nu:tone, storm, spirit, digital, sabre, zero t, lenzman, artificial intelligence & flight.

limited to 400 copies!! second release on the hot new rebellion label. after siss monstrous >gallian< release solomun delivers another knock out blow in the sonics with a heavy weight slab of electric moon groove. pan-rattling percussion and a bass funkier than a trunk of funk underpins the stupendously catchy and incessant vocal licks, and then theres the guitar.. oh my god, does it get any better than this? on the flip parisian funkateer d julz hikes the tempo and kicks the groove headway into the bass bins as its heads down for some serious dancefloor action. a great second package on this rebellious new label! please note this is a limited release, so get these hot puppies whilst you can, because when they are gone, they are gone

continuing into 2011 the way they left off 2010, mainframe have yet another huge drum & bass rollercoaster of a release to unleash in the form of the >outcast< ep. four heavy-hitting tracks from some of the scenes finest producers are what await eager listeners on this one. this is yet another unmissable release from mainframe, a label set to achieve even more this year than they did in 2010.

2011 has arrived in a flurry of light and shadows,and with it,this release on desolat x,the special edition series that features music for dance floors.this time on blue vinyl and artwork by florian pohl. a natural at manipulating the soundwaves and musical algorithms,dragosh has been infiltrating music software since the age of 15, based on a healthy obsession with the foundation of snare and bass. raised in bucharest his roots run to house,jazz,hip hop and before that, romanian folk and the stories intricately interwoven therein.as a budding physicist,who currently resides in italy,were sure youll agree dragoshs work embodies the elusive hunt for dark matter within the curvature of spacetime:disembodied and floating. afterdark antigravity vibes never felt so good.

>corky< is the third ep from brand brauer frick on tartelet records and features a remix from tartelets own james braun. music has always been the defining core of tartelet records. this may seem like an obvious statement, but that was the very reason why it hit us like a ton of bricks when we receivedthe first demo from paul frick and his new band around two years ago you might say that the brandt brauer frick sound touched on a vibration that had been lurking in our musical subconscious. we ll resist the temptation to wax lengthy or lyrical about >corky< instead, we suggest you have a listen and let yourself be seduced by its panoramic echoes and pumping bass drum. hop aboard an odyssey that leads brandt brauer frick through the technoid city of detroit. its a fine ride indeed.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

after a blazing 2010 dumb unit begins the new year with its full flame burning. do your math, created and calculated by dumb unit mad man cesare vs disorder is a return to force for both the label and the artist. written as a schizophrenic ode to his two monikers: queen atom and cesare vs disorder. do you math exemplifies everything that we have come to love from dumb unit and its artists. solid forward moving bass lines, tight syncopated percussion and a general darkness that gives everything its characteristic du shine !

this is the final installment of the heavy-weight >reboot the system< series. showcasing 2 of drum n bass scenes brightest stars remixing 2 tunes from gridloks debut lp >break the system<.
these tunes have been receiving heavy support from many of the top djs in the scene such as: andy c, ak1200, a-sides, bad company, cause 4 concern, dieselboy, ed rush, friction, hive, noisia, pendulum, prolix, total science, state of mind, the upbeats, and many more.

support by kink, dave clark, deetron, dirt crew, joris voorn, and.id, alex celler, martin eyerer, nic fanciulli, roberto rodriguez, oscar, gunnar stiller and more.
this killer release by echonomist proves to be one of his most diverse and promising attempts as he switches in between dance styles like houdini. the collaboration with dans mon salon in isolation is a wondering imaginative road trip into the avenues of detroit, driving in a black car as the boomy rhythmic sequence meets with high end pad strings, a haunting stuck acid bass-line and the vocals of a tortured soul seeking salvation. techno structure with modern tools.

first official 2562 release in over a year, marking the launch of his new when in doubt label. two heartfelt low slung boogie anthems – a taster of things to come. limited to 300 copies for the world on blue vinyl in hand printed sleeves. no digital. no reappearance on future vinyl. 2562 aka dave huismans - from the hague/holland, in berlin/germany – is known for his releases on tectonic recordings as well as 3024 and usually gets classified somewhere in the wasteland between cutting-edge bass music, techno and house. when in doubt is his new imprint, aiming to release personal, formula-free music

a1: 2gether - smooth track, perfect for those disco/house sets. chuggs along gently with a tremendous groove, love the vocal and the percussive elements. the loose key riff really adds the finishing touch to this brilliant track!
b1: untitled in a ghetto - the groove is deep in the percussion, a simple bass line and quirky synth hook. when the vocal drops it is the epitome of a cool, down beat track. awesome!

it might seem counterintuitive for a producer to detach themselves from one of the planets most thriving music scenes, but in the case of matthew walker, aka julio bashmore, thats exactly what he did growing up in bass music hotbed, bristol. you see, julios first love is house music. and operating just on the peripheries of the citys scene has allowed him to quietly cultivate a take on the genre unlike any other.
following white hot releases for dirtybird, ten thousand yen and soul motive this is bashmores first new material of 2011

slamming classic chicago house, now 2011 with fresh updated edits

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word